“This five-session class provides an overview of relief printmaking in terms of the political poster tradition, combining type with image, and one-color linoleum print work. The broadside or poster serves as an important historical printed record and archive of prevailing customs and culture, as well as resistance to dominant cultural norms. In this project, students will conduct photo and lettering research, design and carve linoleum blocks, and print a small run of a one-color poster.”

Daniel Drennan ElAwar is an illustrator, printmaker, and educator. His work, based in a documentary genre, focuses primarily on issues of displacement, dispossession, and disinheritance. His research and practice concerning decolonization and resistance led to the founding of a Beirut-based artists’ collective, ‎جمع اليد (Jamaa Al-Yad). He currently serves on the Board of Trustees of Frontline Arts, formerly the Printmaking Center of New Jersey.