An introductory course on the basics of Portuguese with a glimpse on historical and contemporary contexts of the working classes and social movements in Brazil, and other Portuguese-speaking countries
Everyone we encountered—in Nablus, Awarta, Balata, Jerusalem, Hebron, Dheisheh, Bethlehem, Birzeit, Ramallah, Um el-Fahem, and Haifa—asked us to tell the truth about life under occupation and about their unwavering commitment to a free Palestine
An intermediate course on Portuguese, with historical and contemporary contexts of the working classes and social movements in Brazil, and other Portuguese-speaking countries.
As a part of an ongoing series hosted by The People's Forum, Histories of the Working Class in North America, William Bauer, scholar and historian, will give a public talk on work, community, and memory on California's Round Valley Reservation.
Join us for a conversation on the radical legacy of Pride and the current struggles
Join us at The People’s Forum for our Freedom Summer Film Series! As we begin
Please join us for a virtual discussion on the violent repression faced by the Filipino people under the Duterte regime, the strategies of resistance against it, and what role American imperialism continues to play in this violence.
The formative years of Cuban national hero José Julián Martí Pérez are explored in Fernando Pérez's handsome, robust historical epic, set during the 1860s in colonial Havana.
A study in contrasts set in and around Havana that explores Cuba's 1959 revolution. The film's stunning cinematography led to its resurgence in the early 1990s and has been restored and rereleased several times.
The course will look into the forms of organization developed over time as well their strategies and tactics.
Let’s embark on an exploration of the history of drawing and technique. We'll learn about its aesthetic variation based on cultural and sociopolitical circumstances, as well as its use as a catalyst of self-expression and collective knowledge.
The film is a documentary about Assata Shakur, consisting primarily of a personal interview with Assata herself on the day her mother died as she recounts her experience as a political prisoner in the United States.
